1. human meaningful information [with] meaningfully algorithmic processing of information;
2. how humans embody information to make meaning, and how embodied and unembodied information differ;
3. consciousness with perception and embodied h…Shanken, E. (2007). Telematic embrace: Visionary theories of art, technology, and consciousness by Roy Ascott. Berkeley: University of California Press.
Shannon, C. (1949). The mathematical theory of communication. In C. Shannon & W. Weave…
Graeme Sullivan
artist · 2 mentions across 1 reading
In this course
Sullivan appears to be cited for work on how humans embody information and construct meaning through embodied knowledge rather than pure algorithmic processing, positioning embodiment as central to understanding consciousness and perception. This argument matters to the course because it pushes back against disembodied AI models by insisting that meaningful information processing in humans is inseparable from cultural and bodily experience. Sullivan's framework allows the readings to complicate naive comparisons between human cognition and machine learning by grounding human meaning-making in embodied presence rather than symbol manipulation alone.
Mentioned in 1 reading
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