Diagram from Behavior, Purpose and Teleology by Arturo Rosenblueth, Norbert Wiener and Julian Bigelow in Philosophy of Science, 10 (1943)
Both the paper and the Cerebral Inhibition Meeting (Per Bateson “Cerebral inhibition was a respectabl…work, it stays in law state. The spectator’s feedback to the artist reveals that the artwork doesn’t promote the Ac. Scenario 3 represents the ideal Ac, where artist and spectator interact through the artwork and transmute and transubstanti…1963, the year of Duchamp’s Las Vegas trip facilitated by Monte Factor, was also the year that John F. Kennedy was assassinated. While the 1964 Warren Report found Lee Harvey Oswald solely responsible, a decade later The United States House…
Carlos Vidales
other · 4 mentions across 2 readings
In this course
Based on the fragmented excerpts provided, Carlos Vidales appears to be discussed in relation to aesthetic feedback loops and participatory art systems, likely drawing on cybernetic concepts of circular causality and observer-participant interaction. The references suggest he engages with theories of telematic art and the role of spectator feedback in transforming artworks, connecting to Wiener and Rosenblueth's work on purposeful systems. However, his specific contributions remain unclear from these excerpt fragments, making it difficult to establish his precise role in the course's arguments about AI, art, and consciousness.
Mentioned in 2 readings
Appears alongside
People mentioned in the same passages — sorted by co-occurrence weight.
Gregory Bateson 3Marcel Duchamp 3Norbert Wiener 3Søren Brier 3Arturo Rosenblueth 2Julian Bigelow 2Claudia Jacques 2Alexander Cockburn 1Arthur B. Darling 1Benjamin Breen 1Betty Asher 1Betty Factor 1Jeffrey St. Clair 1John F. Kennedy 1Johnny Roselli 1Lee Harvey Oswald 1Margaret Mead 1Monte Factor 1Richard Hamilton 1Stewart Brand 1Teeny Duchamp 1Walter Hopps 1William Copley 1Charles Sanders Peirce 1Joseph Beuys 1Beatrice Zics 1Claude Shannon 1Crispin Wania 1Graeme Sullivan 1Heinz von Foerster 1