Pandaemonium Architecture 6.0

In this course

Søren Brier is a Danish cyberneticist and semiotician who develops cybersemiotic frameworks for understanding sign processes, perception, and meaning-making in interactive systems—critical for analyzing how AI and ubiquitous computing reshape human-computer encounters beyond purely technical dimensions. Jacques draws on Brier's work to conceptualize the "hybrid environment" where artist, spectator, and medium co-generate meaning through embodied cognition and semiosis, extending Duchamp's interactive model into computational contexts where perception itself becomes a dynamic, recursive process. His emphasis on spatiality, temporality, and complex sign systems allows the course to theorize interactive AI art and cyberperceptual design as philosophical problems, not merely engineering challenges.

Mentioned in 2 readings

Claudia Jacques

Human-Computer Interaction Design and the Cybersemiotic Experience

21

Chapter 10 Human-Computer Interaction Design and the Cybersemiotic Experience Claudia Jacques Abstract Advances in artificial intelligence and ubiquitous computing are expanding human-computer interaction (HCI) in everyday life; turning p…In his 1957 “Creative Act” lecture, Marcel Duchamp established the concept of interactivity introducing a pseudo-arithmetical equation to explain the relationship between artist, spectator, and artwork. Aiming to stay neutral in judging the…The creation of interactive hybrid environments is concerned with systems where artist, spectator, and medium generate and exchange perceptions and processes. It focuses on expanding the creative act to the spectator-user. The user’s unders…

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Notes on À bruit secret_ Notes on Duchamp

Cybernetics, CIA, and Organized Crime

3

Diagram from Behavior, Purpose and Teleology by Arturo Rosenblueth, Norbert Wiener and Julian Bigelow in Philosophy of Science, 10 (1943) Both the paper and the Cerebral Inhibition Meeting (Per Bateson “Cerebral inhibition was a respectabl…work, it stays in law state. The spectator’s feedback to the artist reveals that the artwork doesn’t promote the Ac. Scenario 3 represents the ideal Ac, where artist and spectator interact through the artwork and transmute and transubstanti…1963, the year of Duchamp’s Las Vegas trip facilitated by Monte Factor, was also the year that John F. Kennedy was assassinated. While the 1964 Warren Report found Lee Harvey Oswald solely responsible, a decade later The United States House…

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