Diagram from Behavior, Purpose and Teleology by Arturo Rosenblueth, Norbert Wiener and Julian Bigelow in Philosophy of Science, 10 (1943)
Both the paper and the Cerebral Inhibition Meeting (Per Bateson “Cerebral inhibition was a respectabl…Diagram from Behavior, Purpose and Teleology by Arturo Rosenblueth, Norbert Wiener and Julian Bigelow in Philosophy of Science, 10 (1943)
Both the paper and the Cerebral Inhibition Meeting (Per Bateson “Cerebral inhibition was a respectabl…work, it stays in law state. The spectator’s feedback to the artist reveals that the artwork doesn’t promote the Ac. Scenario 3 represents the ideal Ac, where artist and spectator interact through the artwork and transmute and transubstanti…
Claudia Jacques
other · 4 mentions across 2 readings
In this course
Claudia Jacques applies cybersemiotic theory to Marcel Duchamp's concept of the Creative Act, arguing that artworks function as feedback loops between artist and spectator that transform meaning through interaction rather than through authorial intent alone. Her work bridges cybernetics and art history by positioning Duchamp's ideas about incompleteness and viewer participation as proto-cybernetic systems, where the artwork becomes a medium for mutual transformation between human and observer. This framework allows the seminar to theorize how feedback, purpose, and meaning-making operate across aesthetic and technical systems simultaneously.
Mentioned in 2 readings
Appears alongside
People mentioned in the same passages — sorted by co-occurrence weight.
Marcel Duchamp 3Carlos Vidales 2Gregory Bateson 2Søren Brier 2Ada Lovelace 1Christian Knorr von Rosenroth 1Émile P. Torres 1Gottfried Wilhelm Leibniz 1H. P. Lovecraft 1Illia Polosukhin 1John Keats 1Jonathan Swift 1Marshall McLuhan 1Oliver George Selfridge 1Ramon Llull 1Timnit Gebru 1Arturo Rosenblueth 1Charles Sanders Peirce 1Julian Bigelow 1Norbert Wiener 1Joseph Beuys 1