Notes on Thinking Machine Imaginaries_ Llull
Leibniz, and Lovelace to 'Shoggoth with a Smiley Face'
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writer · 4 mentions across 1 reading
In this course
Swift appears in the course primarily through the Lagado episode in Gulliver's Travels, where his satire of mechanistic knowledge-production—the Professor's absurd "engine" that generates complete arts from broken sentences—becomes a critical touchstone for thinking about algorithmic and computational approaches to meaning-making. The readings deploy Swift's 18th-century ridicule of systems that promise to automate understanding as a historical precedent and cautionary model for contemporary AI claims about automating knowledge, suggesting that satire itself may be a necessary heuristic for interrogating such aspirations. His work functions as both a warning about the fantasies embedded in technical systems and an example of how fictional critique can expose the ideological architecture underlying ambitious computational schemes.
Background
Jonathan Swift was an Anglo-Irish writer, essayist, satirist, and Anglican cleric. He was the author of the satirical prose novel Gulliver's Travels (1726) and the creator of the fictional island of Lilliput. He is regarded by many as the greatest satirist of the Georgian era and one of the foremost prose authors in the history of English and world literature.
Wikipedia →Mentioned in 1 reading
Notes on Thinking Machine Imaginaries_ Llull
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