The “Media Room” was an early attempt to address HCI issues and create an environment that was more intuitive and appealing for the user. Two decades later, Bolt’s article was republished, this time with an introduction by Nick Montfort (Wa…Shanken, E. (2007). Telematic embrace: Visionary theories of art, technology, and consciousness by Roy Ascott. Berkeley: University of California Press.
Shannon, C. (1949). The mathematical theory of communication. In C. Shannon & W. Weave…
Nick Montfort
scholar · 3 mentions across 2 readings
In this course
Nick Montfort is a media scholar and practitioner who has documented and theorized the aesthetic and cultural dimensions of code, particularly code obfuscation and its artistic potentials in contemporary digital practice. His work appears in the course readings as a critical voice situating computational practices—especially puzzling or "counterintuitive" programming methods—within art historical and cultural frames rather than purely functional ones. He exemplifies the kind of scholarship that bridges computer science and artistic inquiry, central to understanding how AI and computational systems participate in cultural production beyond their instrumental purposes.
Mentioned in 2 readings
Appears alongside
People mentioned in the same passages — sorted by co-occurrence weight.
Noah Wardrip-Fruin 2Beatrice Zics 1Carlos Vidales 1Claude Shannon 1Crispin Wania 1Graeme Sullivan 1Heinz von Foerster 1Jenifer Tidwell 1Katherine McCain 1Leonard Shlain 1Margaret Atwood 1Norbert Wiener 1Paul Virilio 1Roy Ascott 1Stephen Wright 1Victoria Vesna 1Warren Weaver 1Nicholas Negroponte 1Richard A. Bolt 1Sanjam Garg 1