Duchamp’s eagerness for interactivity is seen in his ludic interactions with the spectator, questioning form and content, and consequently meaning, extended beyond visual arts into language. Throughout his career, Duchamp’s use of signs was…dynamism” (Cobley and Jansz 2012, p. 25). Peirce’s semiotics refers to the study of signs through a triadic relationship among the “[1] Representamen (the sign itself) which has a relation to an [2] Object, which relation entails an [3] Int…
Litza Jansz
writer · 2 mentions across 1 reading
In this course
Litza Jansz appears primarily as a co-author (with Cobley) of a text on semiotics and Peirce's triadic model of signs, which grounds the course's understanding of how meaning is generated through representamen, object, and interpretant. The reading invokes Jansz's work to establish the foundational semiotic framework through which interactive and computational systems—like Duchamp's ludic interventions—can be analyzed as systems of signification rather than mere aesthetic objects. This semiotic apparatus becomes crucial for theorizing how AI and algorithmic systems produce meaning and mediate human-machine interaction in the seminar's broader concerns.
Mentioned in 1 reading
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