Interactive hybrid environments need to be detached from the concept of the artist creator where the artworks are seen as unique pieces of creative insight. Instead they should be embraced under the perspective of telematic aesthetics, wher…Earlier in this chapter the idea that the primary motivation of the artist and the art-object is to connect with the audience was introduced, thereby engendering interaction and communication among artist, artwork, and audience (Ascott 2007…
Andrew Shanken
scholar · 2 mentions across 1 reading
In this course
Andrew Shanken appears only as a passing reference in the course materials, so his specific contributions to the seminar's core arguments remain unclear from these excerpts. The excerpts themselves focus on telematic aesthetics and Duchamp's ideas about artist-audience connection rather than directly engaging Shanken's work. Without fuller context from the readings, it's difficult to determine whether he's cited as a theorist of interactive art, technology and architecture, or something else entirely.
Mentioned in 1 reading
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