Interactive hybrid environments need to be detached from the concept of the artist creator where the artworks are seen as unique pieces of creative insight. Instead they should be embraced under the perspective of telematic aesthetics, wher…Earlier in this chapter the idea that the primary motivation of the artist and the art-object is to connect with the audience was introduced, thereby engendering interaction and communication among artist, artwork, and audience (Ascott 2007…
Andrew Shanken
scholar · 2 mentions across 1 reading
In this course
Shanken appears in the course readings primarily as a theorist of telematic aesthetics and networked art practices, which reframe artistic creation away from individual genius and toward distributed, collaborative systems. He's cited in discussions of how interactive hybrid environments dissolve traditional boundaries between artist, artwork, and audience—ideas that connect to Roy Ascott's phenomenological frameworks and ultimately trace back to Duchamp's relational aesthetics. His work seems instrumental to the seminar's larger argument about how cybernetic and networked technologies reshape creative practice from a solitary to a systemic endeavor.
Mentioned in 1 reading
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