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Nicolas Poussin
artist · 4 mentions across 1 reading
In this course
Poussin's "Et in Arcadia Ego" serves here as a visual anchor for thinking about the tension between historical fact (Polybius the ancient historian's insistence on eyewitness accuracy) and memetic spectacle that the readings explore through early digital culture. The painting appears to literalize a crisis point: where facticity and representation collide, particularly in how captive or colonized perspectives get absorbed into dominant narrative systems. Benzel uses Poussin's baroque composition to frame how games and simulations later inherit this dynamic, replacing Polybius's struggled commitment to truth with what the reading calls "spectacular memesis and incipient necropolitics."
Mentioned in 1 reading
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