Pandaemonium Architecture 6.0

In this course

Lovejoy is a key figure in media art history and theory who examines how ubiquitous computing and human-computer interaction reshape our perception and interaction with the world. She appears alongside theorists like Ascott and Paul in conversations about terminology for art audiences—particularly the distinction between passive spectatorship and active co-creation—which is central to understanding participatory and interactive art in cybernetic systems. Her work helps the course frame how computational media collapses boundaries between viewer and system, human and machine agency.

Mentioned in 1 reading

Claudia Jacques

Human-Computer Interaction Design and the Cybersemiotic Experience

4

The reality is that we can’t escape the phenomenon of ubiquitous computing, and human-computer interaction (HCI) permeating every aspect of life and mediating how we perceive and interact with the world (Ascott 2005, 2007, 2008; Lovejoy 200…The reality is that we can’t escape the phenomenon of ubiquitous computing, and human-computer interaction (HCI) permeating every aspect of life and mediating how we perceive and interact with the world (Ascott 2005, 2007, 2008; Lovejoy 200…Artists and art historians (Ascott, Lovejoy, Paul, Shanken, etc.) use the terms spectator, participant, viewer, audience and user almost interchangeably to describe the person experiencing an artwork, but such usage obscures the potential o…

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Appears alongside

People mentioned in the same passages — sorted by co-occurrence weight.