Pandaemonium Architecture 6.0

In this course

Lovejoy is cited as a key theorist of how ubiquitous computing and human-computer interaction have become fundamental to perception and worldly engagement in the digital age. She appears alongside art historians like Ascott and Paul in discussions of terminology around spectatorship and audience participation, particularly regarding how artistic experience has shifted from passive viewing toward co-creative processes enabled by interactive technologies.

Mentioned in 1 reading

Claudia Jacques

Human-Computer Interaction Design and the Cybersemiotic Experience

4

The reality is that we can’t escape the phenomenon of ubiquitous computing, and human-computer interaction (HCI) permeating every aspect of life and mediating how we perceive and interact with the world (Ascott 2005, 2007, 2008; Lovejoy 200…The reality is that we can’t escape the phenomenon of ubiquitous computing, and human-computer interaction (HCI) permeating every aspect of life and mediating how we perceive and interact with the world (Ascott 2005, 2007, 2008; Lovejoy 200…Artists and art historians (Ascott, Lovejoy, Paul, Shanken, etc.) use the terms spectator, participant, viewer, audience and user almost interchangeably to describe the person experiencing an artwork, but such usage obscures the potential o…

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