Meanwhile Taylor has laughed off the blackmail attempt, burned down the comic shop and escaped “into the fourth dimension — or maybe the fifth.” Masters heats up his affair with the artist Amanita, and finally convinces her to “translate” h…Through the early to mid-80's the commune's fortunes fluctuated (sometimes nearly flickering out). Fard self-published a series xeroxed "Visionary Recitals" in which he attempted a synthesis of heretical and antinomian spirituality, post-Si…
Georg Cantor
mathematician · 3 mentions across 2 readings
In this course
Cantor's appearance here is marginal and oblique—these excerpts don't directly engage his mathematical work on infinite sets and transfinite numbers. The references to "fourth dimension," dimensional transcendence, and the aesthetics of infinity suggest his influence on how speculative fiction and countercultural thought have imagined escape from bounded systems, though the readings cite him only atmospherically rather than analytically. His mathematical framework for thinking about different orders of infinity becomes culturally available shorthand for imagining alternatives to the given world, even when he's not explicitly named.
Mentioned in 2 readings
Appears alongside
People mentioned in the same passages — sorted by co-occurrence weight.